"Rush" (2012) ~ Official Theatrical Trailer

Rush (2012) Movie Cast
Emraan Hashmi
Neha Dhupia
Sagarika Ghatge
Aditya Pancholi
Directed by Shamin Desai
Priyanka Desai
Starring
Music by Pritam
Distributed by Percept Picture Company
Release Date
26 Oct 2012
Rush (2012) Movie Story:
The story follows media, politics, crime and romance at the point of life and death. Sam Grover (Emraan Hashmi) is a struggling news reporter. Even though his talk show is at the pinnacle of success, his personal life turns upside down when he accepts an assignment offered by a dynamic media tycoon. It plunges him into a vortex of violence in a deadly game of cat and mouse. Beneath the veneer of glamour, money, power and the enviable life of media, lays a truth that is at once unbelievable and shocking.

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Congratulations to Akshay Kumar on having a Baby Girl

Akshay grew to become a father for the second time today with partner Twinkle Khanna. Twinkle provided birth to some baby girl in the Breach Sugary snacks Hospital through Mumbai.

Akshay and Twinkle currently have a nine-year-old kid named Aarav. The actor that is currently chaotic with special offers of his upcoming movie Oh My God, was in Jaipur whenever he bought a call last evening, and rushed back immediately. Twinkle had an ordinary delivery and both mother and daughter usually are doing very good.

Congratulations to the new mothers and fathers!

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Romentic Trailer Jab Tak Hai Jaan

Starring: Shahrukh Khan, Katrina Kaif & Anushka Sharma
In Cinemas: 13 November 2012
Directed by: Yash Chopra
Produced by: Aditya Chopra
Music: A.R. Rahman
Lyrics: Gulzar
"JAB TAK HAI JAAN" - A Yash Chopra Romance. Starring Shahrukh Khan, Katrina Kaif and Anushka Sharma, the film has also brought together the award winning pair of A. R. Rahman and Gulzar, who orchestrated by Yash Chopra, have created some wonderful and poetic music for this romantic film.
JAB TAK HAI JAAN is scheduled for a November 13th 2012 release. Come celebrate this Diwali with Yashji, whose movies have been lighting up homes worldwide during this festive season.

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Esha Gupta a role in Prakash Jha’s Next

Appears to be Esha Gupta, the particular hottie coming from Jannat two features turned out her critics incorrect. If your critics arrived on the scene observing Jannat two though everyone was praising her added sizzling appears to be in addition to smile but also in today’s critiques everybody just one wondered her operating ability incorporating whether or not she will be able to receive yet another motion picture and turn into an extra associate towards Vishesh.

the news can be that will my wife bagged Prakash Jha’s Chakravuh in a acting driven role. Seems as if the tough hitting representative toss her seeing the promos. What is the news is merely available that will my wife bagged a task throughout Prakash jha’s film.

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Ek Tha Tiger earns 200 crores

Ek Tha Tiger woods which often broke your file of creating 100 crores your most effective within 5 nights of it; s discharge. And now your film features compiled a complete regarding 210 crores inside 12 nights, nonetheless keeping track of.

Due to the fact Final Calendar month, everyone inquiring us concerning Ek Tha Gambling crossing your wonderful 250 crore number connected with 3 Dummies. Salman Khan’s Loyal followers are generally assured in the video joining your 250 crore clb because Ek Tha Gambling goes solid on Field Business office.

Most of us can know in returning days and nights that can Ek Tha Competition have the ability to crack 3 Idiots documents or perhaps not….

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Shahrukh, Katrina & Anushka's Next Yash Raj Film

Yash Chopra's up coming... starring Shahrukh Khan, Katrina Kaif & Anushka Sharma. Orchestrated simply by Yash Chopra, this untitled flick will tag the particular returning in concert in the merit winning duo in the audio maestro A new. Ur. Rahman along with the poet & lyricist, Gulzar. This motion picture is usually planned for the Diwali 2012 discharge, the particular joyous period whenever Yash Chopra motion pictures in recent times possess illuminated upwards households world-wide.

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Son Of Sardar

Ashwini Dhir's Son of Sardaar starring Ajay Devgn, Sanjay Dutt, Sonakshi Sinha as well as Juhi Chawla as well as that is generated by Ajay Devgn Ffilms, Viacom 17 Movies as well as YRV Infra & Press (P) Ltd. Creation is actually targeted to get a Diwali relieve! This movie pledges to become finish entertainer having in no way seen just before festivity enjoyable as well as dhamaal regarding people!

Boy associated with Sardar pledges entertainment this specific Diwali. Your movie is usually directed by simply Ashwni Dhir.

It truly is scheduled with the generate associated with thirteenth December, 2012

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Much Awaited Film Heroine

Filmmaker Madhur Bhandarkar released the poster of Kareena Kapoor's much-awaited film 'Heroine' .

The particular film megastars Kareena Kapoor, Arjun Rampal, Randeep Hooda and also Rakesh Bapat. Additionally, this project likewise megastars Shahana Goswami, Divya Dutta, Sally, Shillpi Sharma, Mugdha Godse .


This picture received qualification from your Censor Mother board.

This picture is founded on everything along with times of a celeb heroine.

This poster attributes this lovely Kareena Kapoor.

This picture is usually a audacious, alarming, gorgeous, scandalous driving this scenes consideration in the truth driving the globe involving glitz along with glamour our picture superstars inhabit.

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Agneepath

Katrina Gets Agneepath Item Song

tem songs or the so called item numbers are soon becoming an important part of bollywood movies and therefore most directors are now keen on adding some good item songs to their movies that would provide them with additional publicity and also attract more audiences in the movie halls. In the last few years, there is a new trend of item songs like Sheila Ki Jawani and Munni Badnaam. katrina has been in the forefront of this race after her Sheila Ki Jawani from Tees Maar Khan became a nationwide hit.
However, soon after that Katrina was seen moving her body in an item song in Bodyguard along with Salman Khan. Katrina and Salman together did the title track for Bodyguard, but now Katrina has taken a lead and she has bagged another item song under her belt. This time it is for Dharma Production’s Agneepath which is expected to be release somewhere in January 2012. The decision was taken by the cast and crew of Agneepath and everybody decided that Katrina will be a good choice for the song which is very groovy and it would require some really flexible body that can adjust to such dancing steps.
This will be for the very first time that Sanjay Dutt will be seen onscreen with Katrina. Sanjay Dutt is playing Kancha Cheena in the movie which is a negative role. However, Sanjay Dutt is really nervous about the song especially because he is a non-dancer actor and doing some hardcore dance steps with Katrina will require a lot of rehearsing. Sanjay has already shaved off his head again for the item number and plus he has also managed to take two weeks off to learn dancing steps that can help him to match up with the groovy moves that Katrina will do onscreen. The music for this item song will be composed by Ajay Atul who recently composed music for Singham. They have revealed that they will come up with a fresh new item song which will be inspired from Jhumma Chumma from Hum which is another chartbuster song from Amitabh’s Hum movie.

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Top story

Top story

• 

  25 Aug 2011: Bollywood audiences are turning away from aspirational films and towards once-taboo topics: poverty, corruption, the caste system.

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BOLLYWOOD TRAILER

This is karon johor film this is looking so good and full of action movie must watch it it is very nice bollywood hot movie you can watch and download its free trailer from here and much more 

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Pritam Dhoom Once Again

It is really a tough time for BOLLYWOOD music directors as there are so many movies coming up in late 2011 and early 2012. Most of the composers are already loaded with too much work and that is creating problems for them to get their music out on time. Pritam is one of the most successful music composers in recent times and he has been working on lot of projects at the moment. However, he has decided that he will work only on Dhoom 3 for Yash Raj Films. 

Earlier, Pritam was going to compose the music for Dhoom 3 and another Yash Raj Films movie called Ek Tha Tiger which stars Salman Khan and katrina kaif However, too many projects at one time is driving Pritam crazy and therefore Pritam decided to step up and requested Aditya Chopra to excuse him on this project. Pritam is already loaded with offers at the moment and he is composing music for Players, Tezz, Barfee, Race 2, Once Upon A Time in Mumbaai 2, Jannat 2 and now Dhoom 3.
Pritam said that working for two Yash Raj Films is really a great thing but working on so many projects simultaneously is not a good thing because it would hamper the quality of the songs. Aditya Chopra has decided that he would give the Ek Tha Tiger to Sohail Sen who recently composed music for Yash Raj Films’ Mere Brother Ki Dulhan. However, Aditya Chopra requested Pritam to go for Dhoom 3 because all the earlier parts of Dhoom were composed by Pritam so it would make more sense if Pritam continues composing music for the Dhoom series. Pritam will now work on the Dhoom 3 project and hopefully will come up with some groovy numbers that can make people go Dhoom once again.

 

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LATEST MOVIES REVIEWS

Mere Brother Ki Dulhan

2.48 
Directed by - Ali Abbas Zafar
Starring - Imran Khan, Katrina Kaif, Ali Zafar, John Abraham, Tara D'Souza, Kanwaljeet Singh, Parikshat Sahni ...
Review by Taran Adarsh
Mere Brother Ki Dulhan is a delectably wholesome, heartening, feel-good entertainer.

Our fascination for shaadis, band-baaja-baaraats, dulha-dulhans and swayamvars is for all to see. In Bollywood, most stories either begin with a shaadi or end with a shaadi. The audience claps the maximum when the hero wins his bride in the climax, overcoming all obstacles and hurdles thrown on his way by opponents. Like a veteran film-maker once told me, "Marriages [in Hindi films] can never go out of fashion." I completely agree!

Yash Raj too has had their share of shaadis and baaraats on celluloid. Be it DILWALE DULHANIA LE JAYENGE or BAND BAAJA BAARAAT, the production house has successfully come up with stories that had the viewer thirsting for more. MERE BROTHER KI DULHAN more than lives up to the legacy. Sure, it has the trademark flamboyancy and family drama associated with Yash Raj, but it's totally different from what we've watched thus far.  MERE BROTHER KI DULHAN isn't trite or clichéd, but it's simple and honest, so much so that this could be the story of someone you know. Thanks to a well directed cast, sparkling script and a luminous soundtrack, this is easily one of the most heartwarming movies from the leading production house.

Kush [Imran Khan] is looking for the ideal Indian bride for his brother Luv [Ali Zafar], who stays in London. In his quest, Kush goes through an array of wacky encounters with several families until he finally finds that perfect girl in Dimple [Katrina Kaif], the craziest / wackiest girl he has ever known.

Both the families meet. Formalities are completed. Preparations proceed in full swing. And just then Kush falls in love with Dimple... his brother's dulhan.

On hindsight, if someone were to tell you that the story of the film is about a guy who falls in love with the bride he has chosen for his brother, you'd expect lots of melodrama and an undercurrent of tension after a point in the narrative. I'd say, ignore all the nagging misconceptions or preconceived notions you may have had about MERE BROTHER KI DULHAN. Venture into the cineplex with an open mind and trust me, as the reels unfold, you'll realize that the film is not like what you may have envisioned prior to its screening. It makes wonderful sense!

Most rom-coms follow the conventional route. You know how they start, what's in store in the middle and how they usually end. They don't really challenge the intellect, frankly. But there's a twist in the tale in MERE BROTHER KI DULHAN that catches you by surprise. Sure, it's about two guys liking the same girl -- a formula that's done to death -- but even if the theme has been used and re-used time and again, there's always scope that the next man who attempts it may treat it slightly differently. Thankfully, MERE BROTHER KI DULHAN has the conventional plot, but isn't conventional in the true sense. And it's definitely not the been-there-seen-that kind of a movie either.

On the flip side, MERE BROTHER KI DULHAN has its share of few predictable moments in its second hour. Actually, the graph of the film dips, albeit slightly, in the post-interval portions. The problem is, the first hour is so high on entertainment quotient that you expect the second hour to supersede the first by leaps and bounds. Lots seem to happen in the post-interval portions, but the episodes aren't as exciting as the first hour, which is why you feel the difference. However, the finale throws a new twist, which may appear stretched to some, but is likeable nonetheless.

First-time director Ali Abbas Zafar has complete grasp over the medium and has treated each scene wonderfully well. Besides, he has drawn admirable performances from the principal characters. Handling comic scenes is one tough job, but Ali seems to have a flair for it. MERE BROTHER KI DULHAN has a winner of a soundtrack. Expectedly, the songs, composed by Sohail Sen, stress on the fun quotient that compliments the mood of this film. The songs are urbane-friendly, yet massy, with 'Dhunki', 'Choomantar', 'Madhubala' and the title track being excellent compositions. I would also like to make a special mention of the choreography of these songs [Bosco-Caesar]. It's truly eye-catching. Sudeep Chatterjee's cinematography is vibrant.

The performances are easy on the eyes. The unlikely chemistry between Katrina and Imran coupled with Ali Zafar's impeccable comic timing keeps you glued to the screen. Imran, frankly, seems the apt choice for this role and he more than lives up to it. Katrina is only getting better and more endearing with every release. Ali Zafar is a supremely talented actor and this film proves it yet again.

Tara D'Souza does a fine job. Parikshit Sahni and Kanwaljeet Singh are truly wonderful. The actor who plays Imran's friend is natural. John Abraham appears in a cameo.

On the whole, MERE BROTHER KI DULHAN is a delectably wholesome, heartening, feel-good entertainer. Not just a comedy, but also a tender, bittersweet saga, this rom-com is sure to melt your heart, then restore it anew all over again. Yet another winner from Yash Raj!

  Bodyguard

3.67 
Directed by - Siddique
Starring - Salman Khan, Kareena Kapoor, Mahesh Manjrekar, Aditya Pancholi, Hazel Keech, Rajat Rawail, Asrani ...
Review by Taran Adarsh
Bodyguard works for varied reasons -- it has a simple, but captivating story with a dramatic twist in the tale, the chemistry between the lead actors is perfect and the music is well juxtaposed in the narrative
 For most of us, the festive season is also about entertaining ourselves with a Bollywood biggie. Following two blockbuster Eid releases in the last two years, WANTED [2009] and DABANGG [2010], Salman Khan, the darling of the masses, unleashes yet another entertainer this Eid [this time, it coincides with Ganesh Chaturthi] -- BODYGUARD. The buzz around a Salman movie only got bigger this year, but the pertinent question is, will Salman deliver yet another festive hit with BODYGUARD? After having set such high standards for himself, will Salman surpass his previous achievements? Well, that should be easy to pull off taking into account [a] Salman's current form at the box-office and [b] The film has the merits to stand on its feet.
Let me elaborate. You expect Salman starrers to be larger-than-life, superhero films. You expect him to be the messiah of the masses. BODYGUARD presents Salman exactly the way we expect him to be presented, but, at the same time, the film brings back memories of the soft, romantic roles that Salman essayed in his initial films. What makes the film tick is that Salman and director Siddique have done something hatke within the limitations of the typical Bollywood formula, which, I am sure, should appeal to the Hindi movie buff abundantly.
Final word? BODYGUARD is a perfect family entertainer that compliments the spirit of the festive season.
When it comes to being punctual and doing his duties perfectly, Lovely Singh [Salman Khan] is unmatchable. Taking great pride in what he does, he spares no effort in giving his everything to his profession.
Lovely is summoned for an assignment of guarding Divya [Kareena Kapoor], the daughter of Sartaj Rana [Raj Babbar], a business tycoon. Lovely accompanies her to her campus, but ends up rubbing her the wrong way with his over-protective nature. She finds him to be a major obstacle in leading a regular campus life. To throw him off-track and get him out of the way, she comes up with a 'master plan' -- that of trapping him in a fake love affair. 'Once he's smitten by the girl of his dreams and is reveling in his new-found romance, he will leave us alone and we shall be free to do our own thing unhindered', says Divya to her friends.

She becomes an anonymous admirer of his and starts hounding him, expressing her 'feelings' in no uncertain terms. Lovely, however, proves to be a tough nut to crack and it takes quite a bit of doing from her side to penetrate his fort-like exterior. But once she succeeds in doing so, he transforms into a completely different person. Divya is triumphant and is all set to relish her regained freedom.

But things take an unexpected turn when she learns a few things about Lovely. Things that she could've never even imagined. And she soon finds herself trapped in a dilemma that she's unable to resolve. And with her, soon enough, Lovely finds himself trapped in a web of lies, trickery and deceit.

BODYGUARD is a simple-n-sweet tale of love that's engaging and relatable. At the same time, there's an unexpected twist in the pre-climax which shocks you completely. At no point does the director swerve from the main plot to provide a few extra laughs or thrills. Besides, this is a script which gives actors a lot of room to emote. And both Salman and Kareena seize the opportunity with both hands. More on that later!

Like I pointed out earlier, with BODYGUARD, Salman returns to a genre he started out with -- love story. Sure, BODYGUARD is a remake of a Malayalam film [remade in various South Indian languages as well], which has all the trappings of a perfect masala film -- action, music, comedy -- but BODYGUARD is essentially a love story at heart. Salman's intro may give an impression that it's a hardcore masala film, especially the song and fight sequence [frankly, the first half of the film is routine, with not much happening in the plot]. The director reserves the best for the second half, when it transforms into a love story. The action scene in the second half -- when Salman and Aditya Pancholi get into a fist fight -- is outstanding and will send his fans in raptures. Especially the moment when Salman's shirt rips off and his ripped muscles can be seen. The twist in the tale is a complete shocker. In fact, the penultimate reels of the film catches you complete unaware since you don't expect the story to change so dramatically.

Director Siddique, who has directed the same script for the third time, ensures that a simple story is narrated with simplicity and unfussiness. The twist in the tale comes at the right time, the songs are smartly integrated in the plotline and of course, there are ample comic moments, courtesy Rajat Rawail. The best thing about the film is that Siddique has made a very conscious effort to project Salman as a sensitive human being and not as a demigod, which is why the character becomes all the more relatable and endearing.

The soundtrack fits the genre of the film well. The title track at the very start [Salman's intro] will draw whistles and claps, while 'Teri Meri' is undoubtedly the pick of the lot. Soulfully rendered, this one's simply mesmerizing. Overall, it's a hit score from Himesh Reshammiya and Pritam. Sejal Shah's cinematography is appropriate. Vijayan's action sequences are stylish. Though not an action film, the action sequences do stand out.

Salman delivers one of his best performances in recent times. He makes magnificent use of his tough physique and soft face. Salman's fans are sure to lap this knockout performance in a big way. BODYGUARD would be incomplete without Kareena's contribution. Some roles are tailor-made for actresses who can deliver with aplomb and who better than Kareena to infuse life in a challenging character. She looks gorgeous [as always] and gives this character the dignity that it deserves. Raj Babbar is perfect. Mahesh Manjrekar is as usual. Aditya Pancholi, in a cameo, stages a welcome comeback. He's first-rate. Rajat Rawail is a joy to watch. He's truly funny. Hazel is quite good. Asrani and Vidya Sinha are okay in their respective parts.

On the whole, BODYGUARD works for varied reasons -- it has a simple, but captivating story with a dramatic twist in the tale, the chemistry between the lead actors is perfect and the music is well juxtaposed in the narrative. But its biggest USP is, without doubt, Salman Khan. He carries the film on his broad and brawny shoulders and that alone is the imperative reason for watching this film. BODYGUARD should emerge his third festive hit and fourth super-success at the ticket window. Expect a hurricane called BODYGUARD to strike at the box-office.

  

 Bol

4.17 
Directed by - Shoaib Mansoor
Starring - Atif Aslam, Iman Ali, Mahira Khan, Humaima Malick, Shafqat Cheema, Manzar Sehbai, Zaib Rehman ...
Review by Taran Adarsh
Bol is a courageous film that has the guts to expose issues plaguing the society.
By Taran Adarsh, August 29, 2011 - 17:16 IST

Shoaib Mansoor is one of the brightest names to come out of Pakistan. A few years ago, his film KHUDA KAY LIYE, which tackled the theme of terrorism, won wide acclaim and praise. The supremely talented storyteller is back with another bold and hard-hitting effort called BOL, which unmasks the dual standards prevalent in the society. In fact, we make tall claims about the rights of women and how they are equal to men, but if one looks around, especially in the under-developed countries, the disparity and inequality is for all to see.
Shoaib is indeed a courageous storyteller and this film must have sparked off a debate when it released in Pakistan several weeks ago. Like KHUDA KAY LIYE, BOL addresses the religious extremism in the neighboring country. It's about a daughter who stands up against her father, but most importantly, she dares to defy the age-old societal norms that treat women as lesser beings. The fact that a Pakistani film-maker has had the courage to tackle this theme makes it all the more commendable and praiseworthy. 

BOL shocks and stuns also because of the sub-plots in the plotline and the twists and turns in the story. Of course, I wouldn't like to reveal the details and spoil the fun of watching this brilliant fare, but I'd like to add that one has rarely witnessed such themes on the big screen. It serves as a wake-up call for the orthodox types on both the sides of the border.

BOL has a striking story to tell. It's about a Hakeem Sahab's quest to have a son that sees his wife give birth to fourteen children, but only seven daughters survive. The eighth is a hermaphrodite, much to Hakeem's embarrassment. The film throws light on this family's problems and how each member of the family reacts to them, taking contradicting decisions and handling awkward situations.

BOL takes you on a roller coaster journey of emotions. A story that dares to bare the troubles of a certain society: the status of women in the neighboring country, the life of a hermaphrodite and of course, the quest for a male heir to keep the family name alive. Admiring BOL and not appreciating Shoaib would be doing a great disservice to the individualist film-maker. He deserves brownie points for not just choosing a controversial subject, but also handling it with aplomb. That's not all, for Shoaib has extracted wonderful performances from the principal cast.

Shoaib is a fantastic raconteur and you realize how talented he is at several points of the narrative. The difference of opinion between the eldest daughter [portrayed by Humaima Malik] and her father [Manzar Sehbai] is electrifying. You can feel an undercurrent of tension every time they share the screen space. Also, the start of the film, when Humaima begins to narrate her story and the way her story unfolds, is shocking.

On the flip side, the narrative dips, albeit sporadically, during Iman Ali's portions. Besides, a song filmed on her wasn't necessary in the first place and looks like a complete add-on. Even her performance isn't as invigorating as the remaining cast. Yet, despite the minor aberrations, BOL leaves you spellbound at the conclusion of the story.

BOL belongs to both Humaima Malik and Manzar Sehbai, who stand out with terrific portrayals. Both are splendid in their respective parts. Atif Aslam and Mahira Khan don't get much scope and they are strictly okay. In fact, Atif Aslam's screen space is limited to a few sequences and a song or two. Shafqat Cheema is exceptional; it's a character that works very well in the plot. Zaib Rehman [the mother] is most effective.

On the whole, BOL is a courageous film that has the guts to expose issues plaguing the society. It raises questions, challenges the age-old customs and mirrors a reality most convincingly. A brilliant film embellished with bravura performances. Not to be missed!   

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LATEST PHOTOS

Latest Bollywood Photos - Stars, Parties, Movies & Fashion .Watch latest and new photos of  events..
HOT Bollywood Actresses Pictures gallery for bollywood fans, a gallery of sexy ... 

Indian Celeb  offers celebrity pictures, wallpapers,wedding pics, latest photo shoot Movie Stills images.. 

Have a great selection of Bollywood Photo (Katrina Kaif, Ranbir Kapoor, Deepika ... 

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Top Most Awaited B Bollywood Up coming Movies

The Top  most awaited Bollywood Movies With blockbusters being thrown our way this year
 we look out for the top most awaited Bollywood Movies.

Singham: Releasing on 22nd July, this is expected to be a blockbuster in the 'cop' genre of
films after 'Dabangg'.

Aarakshan: The film has already become rather controversial with Lucknow University not
allowing Amitabh Bachchan to promote it. It is to release on 12th August.

Bodyguard: This movie starring Salman Khan And Kareena is scheduled to hit the screens on
31st August.

That Girl in the Yellow Boots: Coming from Anurag Kashyap's stable - this is one of the most
awaited flicks of the year and is to release on 2nd September.

Mere Brother ki Dulhan: The stars of this movie are apparently training for live gigs. Lets
wait and watch - the rom-com is to hit the screens on 9th September.

Rockstar: Starring Ranbir Kapoor, the movie is to release on 9th September as well.

RaOne: For almost a year 'Ra One' has been in the news - whether it is for the leaked item
song by Akon or the high profile action sequences. The movie officially reaches the screens
on 26th October.

Mausam: Is this our very own 'Top Gun'? Lets hope so! The Shahid and Sonam Kapoor starrer
hits screens on the 16th of September.

The Dirty Picture: The movie is inspired by the live of the late south Indian actress Silk Smitha. It's about her love story with a director. the movie is to release on 2 december as well.

 Don2: Clearly one of the most awaited movies - 'Don 2' opens on 23rd December.

Agneepath: The remake of thhe Amitabh Bachchan starrer - the movie will see Hrithik and
Priyanka on screen one more time after 'Krrish'. For this one - we need to wait till 13th
January 2012.

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